Critic: Gamal El-Zoghby.  

A rigorous study of language and  syntax, the work shown here is an exercise in the making of form as informed by a sequence of frames.  

 All drawings are hand-rendered in graphite and charcoal.

First Frame: Geometric Field 

Second Frame: Resonation, Growth and Intersection

Third Frame: Generative Morphology

Fourth Frame: Rendered Emanation

Rendering of the Hybrid Machine: Extract

Fifth Frame: 40% Machine, 60% Frame Four.

Sixth Frame: 50/50

Seventh Frame: 60% Machine, 40% Frame Four.

Elevational view of (third) hybrid machine.

Eighth Frame: The Final Image.  

Model constructed from Frame Eight.

Model constructed from Frame Eight.

Site: Preikestolen; the Pulpit's Rock. 

Site: Preikestolen; the Pulpit's Rock. 

Final_model.JPG
Crop_Final Model.jpg